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Lullabies for Little Criminals, by Heather O'Neill
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[Read by Miriam McDonald]
A new deluxe edition of the international bestseller by Heather O'Neill, the Giller-shortlisted author of Daydreams of Angels and The Girl Who Was Saturday Night, featuring an original foreword from the author, to celebrate the tenth anniversary of the coming-of-age story that People describes as ''a vivid portrait of life on skid row.''
Baby, all of thirteen years old, is lost in the gangly, coltish moment between childhood and the strange pulls and temptations of the adult world. Her mother is dead; her father, Jules, is scarcely more than a child himself and is always on the lookout for his next score. Baby knows that ''chocolate milk'' is Jules' slang for heroin and sees a lot more of that in her house than the real article. But she takes vivid delight in the scrappy bits of happiness and beauty that find their way to her and moves through the threat of the streets as if she's been choreographed in a dance.
Soon, though, a hazard emerges that is bigger than even her hard-won survival skills can handle. Alphonse, the local pimp, has his eye on her for his new girl; he wants her body and soul -- and what the johns don't take he covets for himself. At the same time, a tender and naively passionate friendship unfolds with a boy from her class at school, who has no notion of the dark claims on her -- which even her father, lost on the nod, cannot totally ignore. Jules consigns her to a stint in juvie hall, and for the moment this perceived betrayal preserves Baby from terrible harm -- but after that, her salvation has to be her own invention.
Channeling the artlessly affecting voice of her thirteen-year-old heroine with extraordinary accuracy and power, Heather O'Neill's heartbreaking and wholly original debut novel blew readers away when it was first published ten years ago. Now in a new deluxe package it is sure to capture its next decade of readers as Baby picks her pathway along the edge of the abyss to arrive at a place of redemption -- and of love.
- Published on: 2016-04-26
- Formats: Audiobook, CD
- Original language: English
- Number of items: 7
- Dimensions: 5.80" h x .90" w x 5.20" l,
- Running time: 32400 seconds
- Binding: Audio CD
- 1 pages
Amazon.com Review
A down-and-dirty debut novel, a harrowing recital of a young life, a funny, innocent, streetwise telling of life on the street--all of the above describe Heather O'Neill's Lullabies for Little Criminals. In an autobiographical essay included in the book, O'Neill, whose own childhood parallels rather closely the life of Baby, her book's heroine, says, "In Lullabies, I wanted to capture what I remembered of the drunken babbling of unfortunate twelve-year-olds: their illusions; their ludicrously bad choices, their lack of morality and utter disbelief in cause and effect." She accomplishes all of the above and more.
Baby is born to two 15-year-olds, and her mother dies a year later. Her father, Jules, is not a bad man, but he is a perpetual kid, without money, education, purpose, moral compass, or any idea of what being a parent is about or how ordinary people live. When the novel begins, Baby is almost 12, and her 12th year turns out to be a very big one indeed. She smokes pot, shoots heroin, loses her virginity, and lives in foster homes, a state detention home, and one seedy, squalid apartment after another. She comes under the spell of Alphonse, a neighborhood pimp, and is so hungry for male affection that she mistakes what he offers for love and care.
Baby and her equally neglected and abused friends long for adulthood, whatever that means. They look up to sophisticated druggies and efficient thieves. Baby says, "I don't know why I was upset about not being an adult. It was right around the corner. Becoming a child again is what is impossible. That's what you have a legitimate reason to be upset over." Baby is matter-of-fact about her predicament. She knows that other kids have lives very different from hers but says, "It never occurs to you when you are very young to need something other than what your parents have to offer to you." This poignant story is beautifully written, sprinkled throughout with humor, pathos, unbelievable privation, and, in the end, the hope of redemption. At least we know that Heather O'Neill grew up to be a writer of no mean accomplishment. --Valerie Ryan
From Publishers Weekly
In her debut novel, This American Life contributor O'Neill offers a narrator, Baby, coming of age in Montreal just before her 12th birthday. Her mother is long dead. Her father, Jules, is a junkie who shuttles her from crumbling hotels to rotting apartments, his short-term work or moneymaking schemes always undermined by his rage and paranoia. Baby tries to screen out the bad parts by hanging out at the community center and in other kids' apartments, by focusing on school when she can and by taking mushrooms and the like. (She finds sex mostly painful.) Stints in foster care, family services and juvenile detention ("nostalgia could kill you there") usually end in Jules's return and his increasingly erratic behavior. Baby's intelligence and self-awareness can't protect her from parental and kid-on-kid violence, or from the seductive power of being desired by Alphonse, a charismatic predator, on the one hand, and by Xavier, an idealistic classmate, on the other. When her lives collide, Baby faces choices she is not equipped to make. O'Neill's vivid prose owes a debt to Donna Tartt's The Little Friend; the plot has a staccato feel that's appropriate but that doesn't coalesce. Baby's precocious introspection, however, feels pitch perfect, and the book's final pages are tear-jerkingly effective. (Oct.)
Copyright � Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
Baby's mother is dead; her hapless father is a heroin addict; home is a series of tiny, increasingly squalid apartments in Montreal's seedier precincts; her boyfriend is a pimp; and--about the time she turns 13--she becomes a prostitute. Not exactly the stuff of Sweet Valley High--more like the worst of the teen problem novels of the 1970s--on steroids! And, yet, first-time-author O'Neill somehow infuses her troubling story with a kind of heartbreaking innocence, thanks to her central conceit that Baby, her father (who was only 15 when she was born), and her friends are only pretending to be criminals to get by. The question of whether they will get by adds an element of suspense to this sad, almost wistful story, which occasionally strays dangerously close to sentimentality. O'Neill is a wonderful stylist, though, and the voice she has created for Baby is original and altogether captivating. Michael Cart
Copyright � American Library Association. All rights reserved
Most helpful customer reviews
2 of 2 people found the following review helpful.
her boyfriend gives her presents like rocks and paperclips
By S.K.
I didn't get on with this book for a few reasons. One, Baby's characterization was unrealistic. I remember being twelve and thirteen, and did not recognize Baby or her friends: they were a false mixture of childish and adventurous, clearly exemplifying their lack of supervision and the line between innocence and experience, but it didn't ring true. Her boyfriend gives her presents like rocks and paperclips. She plays with dolls and sticks her tongue out at people.
Two, the book is full of beautifully poetic comparisons and turns of phrase, but it doesn't work when *everything* is described this way, and when all the characters sound the same. A pimp says a prostitute's sweater looks like 'watching TV with bad reception.' Jules' friend says he never drinks milk 'because cows don't exist.' Alphonse says his mother 'thinks he has turned into a cat.' Baby's school friend says she never writes in cursive because 'it looks like pubic hair.' On and on. These are sometimes intriguing and vivid ideas, but characters should be more than just vessels to fill with the author's voice.
Three (this is actually an extension of two), when everything is described fleetingly and with strange juxtapositions, the reader is blocked off from getting to know the character of Baby or the reality of her experiences. She says a friend gives her a tattoo of the moon on her knee, in a throwaway sentence, then never mentions it again. When she injects heroin she says 'A white pigeon sat next to me and began flawlessly conjugating French verbs.' It's not a realistic description of the drug's effects, even discounting the overused style of surreal metaphor.
Finally, the ending was very abrupt and didn't come to any kind of meaningful conclusion.
I came away from this book not knowing Baby, not feeling like she was a real character, and not feeling fully immersed in any of the scenes.
1 of 1 people found the following review helpful.
Sad, but worthwhile...
By Billie Zahurak
This was sad. A very, very sad read. Heartbreaking. I cannot believe this narrator was 11 and then 12 years old. Child prostitution is an ugly, ugly thing and our narrator, Baby, made it like a commonplace event she was participating in. I was so angry at her Dad for allowing everything in the story to happen to her. I was angry at her for not being stronger. I was angry at the author for making me look so deeply into this story.
With that said, it was a very worthwhile book. The writing style got a bit tedious at times - way too many similes and metaphors - there's no way that this 12-year-old girl could put into words the "pictures" she saw in everyday life.
Like many other reviewers, I question the cover. It does not fit the sadness of the story - or the characters.
I'm glad I read this book; it just had some issues.
3 of 3 people found the following review helpful.
Eye-opening
By RoyaN
it really opened my eyes to the imagination vs reality of a child expulsed prematurely into the vicious realm of the adult addict and life of poverty.
Not mention, it made me realise, looking back, that there had been a lot of troubled kids in my elementary school who i now see have all the signs that they were going through a similar situation.
I also really enjoyed how much you really feel like you are in the caracters mind, you really begin to see things like her even when you put the book down. Very enthralling. It allows you not only empathize with her decisions even though they are ones you know are wrong and ill-advised, but it allows you to sympathize with her as well. Just becuase you are so deeply entwined with her thoughts that they being to seem clear and thought out. Very interesting book. I wouldnt recommend your children read it however, some situations were taken a bit too lightly, and i think it requires the analytical and rational mind of an adult to reflect on and digest with a grain of salt.
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