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The Lonely City, by Olivia Laing
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An expertly crafted work of reportage, memoir, and biography on the subject of loneliness told through the lives of six iconic artists, by the acclaimed author of The Trip to Echo Spring. You can be lonely anywhere, but there is a particular flavor to the loneliness that comes from living in a city, surrounded by thousands of strangers. The Lonely City is a roving cultural history of urban loneliness, centered on the ultimate city: Manhattan, that teeming island of gneiss, concrete, and glass.What does it mean to be lonely? How do we live if we're not intimately involved with another human being? How do we connect with other people, particularly if our sexuality or physical body is considered deviant or damaged? Does technology draw us closer together or trap us behind screens?Olivia Laing explores these questions by traveling deep into the work and lives of some of the century's most original artists, among them Andy Warhol, David Wojnarowicz, Edward Hopper, Henry Darger, and Klaus Nomi. Part memoir, part biography, part dazzling work of cultural criticism, The Lonely City is not just a map, but a celebration of the state of loneliness. It's a voyage out to a strange and sometimes lovely island, adrift from the larger continent of human experience, but visited by many--millions, say--of souls.
- Sales Rank: #4777831 in Books
- Published on: 1746
- Original language: English
- Number of items: 1
- Dimensions: 8.66" h x 1.22" w x 5.67" l, 1.30 pounds
- Binding: Hardcover
Review
"A beautiful meander of a book"―Hanya Yanagihara, The New Yorker
"Olivia Laing, in her new book, The Lonely City, picks up the topic of painful urban isolation and sets it down in many smart and oddly consoling places. She makes the topic her own . . . Perhaps the best praise I can give this book is to concur with Ms. Laing’s dedication: 'If you’re lonely, this one’s for you.'"―Dwight Garner, The New York Times
"This book serves as both provocation and comfort, a secular prayer for those who are alone―meaning all of us."―The New York Times Book Review
"One of the finest writers of the new non-fiction . . . compelling and original."―Harper's Bazaar
"An uncommonly observant hybrid of memoir, history and cultural criticism . . . a book of extraordinary compassion and insight.”―San Francisco Chronicle
"Laing is an astute and consistently surprising culture critic who deeply identifies with her subjects' vulnerabilities . . . absolutely one of a kind."―Maureen Corrigan, NPR's Fresh Air
"It's not easy to pull off switching between criticism and confession―and like Echo Spring, The Lonely City is an impressive and beguiling combination of autobiography and biography, a balancing act that Laing effortlessly performs. Her gift as a critic is her ability to imaginatively sympathize with her subject in a way that allows the art and life of the artist to go on radiating meaning after the book is closed."―Elle
"A lovely thing. Exceptionally skillful at changing gears, Ms. Laing moves fluently between memoir, biography (not just of her principal cast but of a large supporting one), art criticism and the fruits of her immersion in ‘loneliness studies' . . . She writes about Darger and the rest with insight and empathy and about herself with a refreshing lack of exhibitionism . . . Every page of The Lonely City exudes a disarming, deep-down fondness for humanity.”―The Wall Street Journal
"Laing’s prose is elegant and concise, with a breath of Joan Didion . . . In its interdisciplinary scope and mix of culture, theory, and memoir, The Lonely City brings to mind other nonfiction hits of recent years, books like Maggie Nelson’s The Argonauts or Leslie Jamison’s The Empathy Exams."―The Millions
“The Lonely City bristles with heart-piercing wisdom... It's a ghostly blueprint of urban loneliness―an emotion that Laing calls ‘a city in itself’―that reminds us how loneliness can sometimes bring us together.”―Jason Heller, NPR
“Laing’s meditation gradually gathers force into a manifesto, taking aim at the assumption of simple, unknowable 'mental illness' to explain the life and creative work of the outsider artist Henry Darger or of Solanas―or of Warhol, for that matte...Without glamorizing either loneliness or the urban decay of New York in the ’70s, The Lonely City builds an impassioned case for difficulty and difference, for social rebellion and the unpredictable artistic richness that can result."―The Washington Post
“Laing, who used group biography to examine the connections between alcoholism and literature in The Trip to Echo Spring, here performs an almost magical trick: Reminding us of how it feels to be lonely, this book gently affirms our connectedness.”―The Boston Globe
"Laing is always circling back toward a piercingly relevant observation. And, oh, those observations! . . . Laing is a great critic, not least because she understands that art can and often does manifest multiple conflicting meanings and desires at once."―Laura Miller, Slate
"Laing writes with a compassion and curiosity rarely seen in any genre . . . Although I read The Lonely City in the same urban spaces that usually impart a familiar loneliness―loud caf�s, quiet apartments and slow trains choked with strangers―I felt different while reading it . . . Something surprising happened, something Laing most likely intended"―The Rumpus
"A singular, fiercely candid and rare book."―The Buffalo News
“[An] acute, nervy and personal investigation into urban solitude . . . [Laing] writes with lyrical clarity, empathy, and a knack for taking a wandering, edgy path, stretching themes (and genres), while never losing an underlying urgency . . . A group biography all in one, which takes a difficult, almost taboo, subject and deftly turns it over anew.”―New Statesman
"Luminously wise and deeply compassionate, The Lonely City is a fierce and essential work. Laing is a masterful biographer, memoirist and critic. Fearlessly tracing the roots of loneliness, its forbidding consequences, and its complicated and beautiful relationship with art, it is powerful, poignant and magical. Reading it made my heart ache yet filled me with hope for the world."―Helen Macdonald, author of H is for Hawk
“[An] imaginative and poignant quest . . . Through her ardent research, empathetic response, original thought, courageous candor, and exquisite language, Laing joins the ever-growing pool of writers―among them Ta-Nehisi Coates, Hope Jahren, Jhumpa Lahiri, Leslie Jamison, Helen Macdonald, Sally Mann, Patti Smith, Tracy K. Smith, Edmund de Waal, and Terry Tempest Williams―who are transforming memoir into a daring and dynamic literary form of discovery that laces the stories of individuals into the continuum of humanity and the larger web of life on Earth to provocative and transforming effect.”―Booklist (starred review)
“By focusing on four artists . . . Laing’s writing becomes expansive, exploring their biographies, sharing art analysis, and weaving in observations from periods of desolation that was at times 'cold as ice and clear as glass.' She invents new ways to consider how isolation plays into art or even the Internet (which turns her into an obsessed teenager, albeit one who calls the screen her 'cathected silver lover'). For once, loneliness becomes a place worth lingering.”―Publishers Weekly
"[An] absorbing melding of memoir, biography, art essay, and philosophical meditation . . . [An] illuminating, enriching book."―Kirkus Reviews
"A remarkable combination of personal mediation and psychological and artistic inquiry, The Lonely City is always superbly written, fascinating and often sharply moving. Ultimately the book has a paradoxical effect: at the same time as it makes one aware of one's own inescapable solitude, it leaves one feeling less alone."―Adam Foulds, author of In the Wolf's Mouth
“An extraordinary more-than-memoir; a sort of memoir-plus-plus, partway between Helen MacDonald’s H Is for Hawk and the diary of Virginia Woolf; a lyrical account of wading through a period of self-expatriation, both physical and psychological, in which Laing paints an intimate portrait of loneliness.... TheLonely City is a layered and endlessly rewarding book, among the finest I have ever read.”
- Maria Popova, Brain Pickings
About the Author
Olivia Laing's first book, To the River, was published to wide acclaim and short-listed for the Ondaatje Prize and the Dolman Travel Book of the Year. She has been the deputy books editor of the Observer, and writes for the Guardian, New Statesman, and Granta, among other publications. She is a MacDowell and Yaddo fellow, and the 2014 writer-in-residence at the British Library.
Susan Lyons has appeared on numerous television shows, including A Country Practice, Police Rescue, Something in the Air, and All Saints. Among her film credits are Winds of Jarrah and In a Savage Land. She is married to Tony Award-winning actor Jefferson Mays.
Most helpful customer reviews
7 of 7 people found the following review helpful.
A must for lonely New Yorkers who have curiousity
By Stanley Hoffman
This book will be in my collection til the day I die. There is so much truth and depth in the writing. As someone who has not delved into the world of art history, or criticism, I found my self completely intrigued by the artists spoken about and amazed how unaware I was of most of it. I'm impressed with the author's thinking and perspective on the brutality of loneliness. It's so darkly refreshing to know how many great minds suffer in this complexly cruel world, and somehow use that pain to make works of art. I too live in NY and am saddened and appalled by the changes in this once really interesting, artistic city that has become a playground for the very wealthy and lost so much in the process. A compelling read and quite educational. I also can't stop watching Klaus Nomi sing "Lightning Strikes" on youtube.
5 of 5 people found the following review helpful.
Buy This Book
By s. houldsworth
I took a long time to get through this terrific book, but learned alot about some artists I was ignorant of, and more about artists I knew about. She shows poignantly how tenderly art can help us when times are especially hard. I liked that she didn't idealize New York City.
3 of 3 people found the following review helpful.
One of the best books I've read in awhile
By luna
One of the best books I've read in awhile. While relating her own "condition" of loneliness in the city, exposing, but not valorizing, her vulnerability, she does not dwell there - she seeks out the experiences of others - 20th century artists of the city - and allows her curiosity, not only to connect with/to others, thus somewhat assuaging her own loneliness, but also to empathize with and value such experiences - considering the usefulness - sometimes - of loneliness in the creation of art and action. Her "readings" of very different artists like Warhol and Darger are thoughtful and provocative.
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